11-02-2022 08:42 AM
I just got back from a doc day shoot in Denver telling the story of a monitor engineer for one of my clients as part of a larger series. I am now back at my desk looking over the footage, grading, and exporting a few clips and I thought I would share them below. The main wide was shot on the FX9 and Sony FE 35mm f1.8 (a lens I love for this sort of thing), the wider of the two side shots was shot on the FX6 and Sony FE 85mm f1.8 (again, love), and the close up was shot on the FX6 and Leica R 100mm f2.8 macro. Both Sony lenses were shot at 1.8 and the Leica was at 2.8 and boosted in post to match the others.
ABOUT SONYCINE
We provide the cinematography community with information, inspiration, and news.
SonyCine is here for the filmmakers and cinematographers who like to stay in the know, keep innovating, and connect with the world in meaningful ways. You bring your curiosity and ideas, and we'll provide the knowledge, inspiration, and state-of-the-art tech to help you bring your vision to life.
Press Inquiries:
Tanya Lyon
tanya.lyon@sony.com
858-914-8936
©2023 SONY ELECTRONICS INC (SEL). All Rights Reserved. | SEL Terms & Conditions | SEL Privacy Policy | CA Privacy Notice | Do Not Sell or Share My Personal Information | Manage Cookies | Sony.com | Professional Products & Solutions | Community Guidelines