Cinejimmy Posted January 30 Share Posted January 30 Hi all, Shooting a TV series and I'm trying to decide if it's better to set the Sony Venice's Input Colour Space to S-Gamut3/SLog3 or S-gamut3.cine/SLog3? Information out there is a little murky so any simplified info would be really appreciated. Thanks! James Link to comment Share on other sites More sharing options...
DougJensen Posted January 30 Share Posted January 30 I suggest you ask your colorist which one they prefer. But with that said, I don't know anyone who does not use the .cine version. Link to comment Share on other sites More sharing options...
videosoul Posted January 31 Share Posted January 31 As I understand it, S-Gamut is a large colour gamut, so better for scenes with intense saturated colours, neons, fluorescants etc. S-Gamut.cine is designed to be closer to rec709 primaries, and so should be easier to grade in "normal" environments with "normal" hardware (i.e. a rec709 display). Link to comment Share on other sites More sharing options...
DougJensen Posted January 31 Share Posted January 31 The primary reason S-gamut3.cine/SLog3 exists is because it is designed to mimic Arri LOG C. Therefore, colorists who are used to working with Arri footage can apply the same grades to Sony S-gamut3.cine/SLog3 and be assured of getting similar results. But again, you should really ask your colorist what he/she wants you to shoot. Link to comment Share on other sites More sharing options...
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